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Mathew Zefeldt's exhibition, Re_Spawn, delves into the intersection of virtual and physical realities through his paintings inspired by the video game Grand Theft Auto V (GTA V). Zefeldt's art transports viewers into simulated worlds where time and mortality hold no sway, echoing the gaming experience where players can defy death and legal consequences through the mechanic of respawning.


Informed by GTA V, Zefeldt's canvases depict scenes filled with action, from exploding police cruisers to interactions with other players' avatars. Yet, what sets his work apart is the absence of graphic violence typically associated with such games. Instead, Zefeldt focuses on the spectacle of violence, the allure of defying death, and the beauty of virtual landscapes, prompting viewers to reflect on our cultural obsession with these themes.


Zefeldt's use of a Warholian grid composition adds depth to his exploration, capturing multiple scenes from the game and suggesting the possibility of occupying multiple parallel realities. Through this technique, he challenges viewers to consider the boundaries between virtual and physical existence, as well as the complexities of identity and expression in our digital age.


As an Associate Professor of Painting and Drawing at the University of Minnesota, Zefeldt brings a depth of artistic knowledge and experience to his work. His exhibitions, spanning various galleries and institutions, attest to the significance and impact of his artistic vision.


In essence, Re_Spawn not only invites viewers to immerse themselves in virtual worlds but also prompts them to question the nature of reality, the allure of digital escapism, and the cultural constructs that shape our perceptions of self and society. Through Zefeldt's paintings, the boundaries between art, gaming, and cultural commentary blur, inviting contemplation on the ever-evolving relationship between technology and humanity.



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